Niriall The Flying Fangirl


wondycupcake:

Making decisions in Bioware games like

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disneyismyescape:

disney-beauty:

Accurate

help

Oct 21reblog
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the-softwolf:

THIS IS MY FAVORITE.

Oct 21reblog
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mongoliantiger:

deer centaur, little connor and adult connor

roane72:

worriedaboutmyfern:

This morning I’m thinking about manpain. Specifically, superhero angst.

Specifically Batman. And Captain America.

As a digression, I feel like what distinguishes “manpain” from just regular pain is not so much the man but the shooting directions. Like, you know it’s manpain when the camera goes into tight closeup on their clenched jaw, or when they are shot backlit in an alley with smoke swirling around their feet. Or with a big fire blazing behind them. Or if they are trudging through a crowded cityscape that’s all black and white and they are the only ones in color.

Case in point: this is Batman. His parents are dead. It’s very sad. He has a lot of manpain.

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Because of all his pain, Batman is not fully able to trust anyone. He pushes everyone away. Sometimes he lashes out against those closest to him.

This is Batman at Christmas time.

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Batman is not ever going to go to therapy and deal with his trust issues, or talk about whether he might have something like depression and whether it might respond to medication, even though he could definitely afford it because he is a billionaire. He’s not going to do these things because of editorial decree.

"They put on a cape and cowl for a reason," says DC co-publisher Dan Didio. "They’re committed to defending others — at the sacrifice of all their own personal instincts. That’s something we reinforce. If you look at every one of the characters in the Batman family, their personal lives kind of suck.”

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Okay. This is Captain America. His parents are dead too. Actually, almost everybody he ever knew is dead, because he got frozen for seventy years.

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(By the way if you do a Google image search for “Captain America Punching Bag,” Google will show you some stuff and will also, right at the top, helpfully prompt you with a couple other search terms that you’re probably interested in: “Chris Evans” and “Butt.”)

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(A++ Google, carry on.)

Anyway, so Captain America has a lot of manpain too.

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Because he’s grieving and lonely, Captain America works hard at forming connections with the new people he meets. He doesn’t understand their frame of cultural reference, so he diligently follows up whenever somebody gives him a book or movie or other kind of recommendation.

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He visits a support group for veterans.

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He also checks in with his teammates regularly, and makes sure they know that he cares about them. He listens to their problems and offers his support.

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So my point here is pretty simple. I think the Captain America characterization is a lot more interesting and complex. It just gets boring to have a character like Batman who is always going to have the same shit because he’s never gonna deal with his shit because he’s not allowed to deal with his shit. By contrast, Steve Rogers is warm and human and adult and fucken’ heroic. He’s got shit too but he mans up and carries it the best he can.

Both Batman and Captain America are actually team leaders, but Batman isn’t allowed to be a very good one because he also has to be a brooding loner who hangs out on top of gargoyles most of the time. Preferably in the rain.

Captain America gets rained on, too. The difference, I think, is that at some point he would go out and buy an umbrella.

Captain America gets rained on, too. The difference, I think, is that at some point he would go out and buy an umbrella.

THIS THIS THIS THIS THIS ^^^^

tftexts:

(860): let’s be honest I’d fucking Irish step dance on your grave, asshole

nehirose:

lohelim:

winterthirst:

sabacc:

Steve Rogers did, in fact, realize that something was off when he saw the outline of the woman’s odd bra (a push-up bra, he would later learn), but being an officer and a gentleman, he said that it was the game that gave the future away.

 (via)

No, see, this scene is just amazing. The costume department deserves so many kudos for this, it’s unreal, especially given the fact that they pulled off Peggy pretty much flawlessly.

1) Her hair is completely wrong for the 40’s. No professional/working woman  would have her hair loose like that. Since they’re trying to pass this off as a military hospital, Steve would know that she would at least have her hair carefully pulled back, if maybe not in the elaborate coiffures that would have been popular.

2) Her tie? Too wide, too long. That’s a man’s tie, not a woman’s. They did, however, get the knot correct as far as I can see - that looks like a Windsor.

3) That. Bra. There is so much clashing between that bra and what Steve would expect (remember, he worked with a bunch of women for a long time) that it has to be intentional. She’s wearing a foam cup, which would have been unheard of back then. It’s also an exceptionally old or ill-fitting bra - why else can you see the tops of the cups? No woman would have been caught dead with misbehaving lingerie like that back then, and the soft satin cups of 40’s lingerie made it nearly impossible anyway. Her breasts are also sitting at a much lower angle than would be acceptable in the 40’s.

Look at his eyes. He knows by the time he gets to her hair that something is very, very wrong.

i’ve reblogged this before but this one has further breakdown of exactly why, and i love it. (also hell yes, kudos to the costume department for this; it’s wrong, but it’s so clearly DELIBERATELY wrong considering how well they nailed it during the 40s sequences).

Oct 21reblog
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bobbypontillas:

disneyanimation:

We’re thrilled to announce our 56th animated feature film, Moana! Renowned filmmakers Ron Clements & John Musker (The Little Mermaid, Aladdin) will direct the CG-animated comedy-adventure, coming to theatres late 2016.

Very fortunate to be getting to character design on our Fall 2016 release, Moana!  This piece was done by Andy Harkness.

this was the best week in C&H history

Oct 21reblog
257852 via/©